The Children's Book

The Children s Book Olive Wellwood is a famous writer interviewed with her children gathered at her knee For each of them she writes a separate private book bound in different colours and placed on a shelf In their ram

  • Title: The Children's Book
  • Author: A.S. Byatt
  • ISBN: 9780701183899
  • Page: 449
  • Format: Hardcover
  • Olive Wellwood is a famous writer, interviewed with her children gathered at her knee For each of them she writes a separate private book, bound in different colours and placed on a shelf In their rambling house near Romney Marsh they play in a storybook world but their lives, and those of their rich cousins, children of a city stockbroker, and their friends, the son aOlive Wellwood is a famous writer, interviewed with her children gathered at her knee For each of them she writes a separate private book, bound in different colours and placed on a shelf In their rambling house near Romney Marsh they play in a storybook world but their lives, and those of their rich cousins, children of a city stockbroker, and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery Each family carries its own secrets.Into their world comes a young stranger, a working class boy from the potteries, drawn by the beauty of the Museum s treasures And in midsummer a German puppeteer arrives, bringing dark dramas The world seems full of promise but the calm is already rocked by political differences, by Fabian arguments about class and free love, by the idealism of anarchists from Russia and Germany The sons rebel against their parents plans the girls dream of independent futures, becoming doctors or fighting for the vote.This vivid, rich and moving saga is played out against the great, rippling tides of the day, taking us from the Kent marshes to Paris and Munich, and the trenches of the Somme Born at the end of the Victorian era, growing up in the golden summers of Edwardian times, a whole generation grew up unaware of the darkness ahead In their innocence, they were betrayed unintentionally by the adults who loved them In a profound sense, this novel is indeed the children s book.

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    About "A.S. Byatt"

    1. A.S. Byatt

      A.S Byatt Antonia Susan Byatt is internationally known for her novels and short stories Her novels include the Booker Prize winner Possession, The Biographer s Tale and the quartet, The Virgin in the Garden, Still Life, Babel Tower and A Whistling Woman, and her highly acclaimed collections of short stories include Sugar and Other Stories, The Matisse Stories, The Djinn in the Nightingale s Eye, Elementals and her most recent book Little Black Book of Stories A distinguished critic as well as a writer of fiction, A S Byatt was appointed CBE in 1990 and DBE in 1999ATT, Dame Antonia Susan , Dame Antonia Duffy , DBE 1999 CBE 1990 FRSL 1983 Chevalier de l Ordre des Arts et des Lettres France , 2003 , writer born 24 Aug 1936 Daughter of His Honour John Frederick Drabble, QC and late Kathleen Marie BloorByatt has famously been engaged in a long running feud with her novelist sister, Margaret Drabble, over the alleged appropriation of a family tea set in one of her novels The pair seldom see each other and each does not read the books of the other.Married1st, 1959, Ian Charles Rayner Byatt Sir I C R Byatt marriage dissolved 1969 one daughter one son deceased 2nd, 1969, Peter John Duffy two daughters.EducationSheffield High School The Mount School, York Newnham College, Cambridge BA Hons Hon Fellow 1999 Bryn Mawr College, Philadelphia, USA Somerville College, Oxford.Academic Honours Hon Fellow, London Inst 2000 Fellow UCL, 2004Hon DLitt Bradford, 1987 DUniv York, 1991 Durham, 1991 Nottingham, 1992 Liverpool, 1993 Portsmouth, 1994 London, 1995 Sheffield, 2000 Kent 2004 Hon LittD Cambridge, 1999PrizesThe PEN Macmillan Silver Pen Of Fiction prize, 1986 for STILL LIFEThe Booker Prize, 1990, for POSSESSIONIrish Times Aer Lingus International Fiction Prize, 1990 for POSSESSIONThe Eurasian section of Best Book in Commonwealth Prize, 1991 for POSSESSIONPremio Malaparte, Capri, 1995 Mythopoeic Fantasy Award for Adult Literature, California, 1998 for THE DJINN IN THE NIGHTINGALE S EYEShakespeare Prize, Toepfer Foundation, Hamburg, 2002 Publications The Shadow of the Sun, 1964 Degrees of Freedom, 1965 reprinted as Degrees of Freedom the early novels of Iris Murdoch, 1994 The Game, 1967 Wordsworth and Coleridge in their Time, 1970 reprinted as Unruly Times Wordsworth and Coleridge in their Time, 1989 Iris Murdoch 1976The Virgin in the Garden, 1978 GEORGE ELIOT Selected Essays, Poems and Other Writings , 1979 editor Still Life, 1985Sugar and Other Stories, 1987 George Eliot selected essays, 1989 editor Possession a romance, 1990Robert Browning s Dramatic Monologues, 1990 editor Passions of the Mind, essays , 1991 Angels and Insects novellae ,1992The Matisse Stories short stories ,1993 The Djinn in the Nightingale s Eye five fairy stories, 1994Imagining Characters, 1995 joint editor New Writing 4, 1995 joint editor Babel Tower, 1996 New Writing 6, 1997 joint editor The Oxford Book of English Short Stories, 1998 editor Elementals Stories of fire and ice short stories , 1998 The Biographer s Tale, 2000 On Histories and Stories essays , 2000 Portraits in Fiction, 2001 The Bird Hand Book, 2001 Photographs by Victor Schrager Text By AS Byatt A Whistling Woman, 2002Little

    703 thoughts on “The Children's Book”

    1. BRILLIANT, BUTBoth brilliant and flawed, this book is an extraordinary achievement that doesn’t always work, but is nevertheless a riveting, educational and inspirational read. It was so beautiful and utterly engrossing, that I loved it despite its faults, and found it filling my thoughts and dreams for a considerable time after I finished it. And it visits me still.It describes the creative process (principally writing, puppetry and pottery) in gloriously vivid detail, as it relates to some E [...]

    2. I looked forward to read this book. I was ready for a sweeping saga about the turbulent years between the closing of the Victorian age and the dawn of the Edwardian, with all its political, artistic and social ferment, and its culmination in the war to end all wars. Who can better chronicle these years than Byatt, with her deep knowledge of the period and her knack for creating affecting, memorable characters like Randolph Henry Ash and Christabel LaMotte in Possession: A Romance?Her cast of cha [...]

    3. I savored this novel every evening for the 2 months or so that I chipped away at its formidable length. A.S. Byatt has written a whopping, inimitable masterpiece of a heavy handed Victorian England succumbing to the blithe, jaunty Edwardian era which in turn gives way to the disillusionment and terror of trench warfare and World War I. Byatt, so unapologetically erudite, gives us a labyrinthine novel that is both devastating and whimsical. It's full of complexity and contradictions, stories with [...]

    4. Reading The Children's Book for the second time has solidified its place as one of my all-time favorite books. Historical fiction when written well is one of my favorite genres. Here Byatt has used her characters, settings and action to bring history--in all its parts--to life, supplementing with occasional narratives on history and the arts. We readers encounter the family, the arts in many forms, philosophy and religion, politics, education, women's rights and gender politics, everything it se [...]

    5. Disappointment - beaten up by Byatt's wooden prose, after which she vomited her semi-digested research over me. Apart from that it is a great book. Admittedly I was disappointed because I had this idea that Byatt was a good and accomplished novelist. Had I believed that this was the author's first novel I might have been excited by its promise and ambition, fooling myself that future books with judicious rewriting and hard pruning would be good literature. Ahhhggrh. Reading this book I was struc [...]

    6. Three days after finishing the audiobook version of this novel, I’m still partly in the detailed and intricate world Byatt created. I didn’t want the book to end and I miss the characters. A saga about the lives of its inter-related characters between 1895 and 1919, the novel concerns itself with the history of England and to a lesser extent Germany during that period. It deals with subjects including Fabian socialism, the Arts and Crafts movement, neo-paganism, the anarchist movement, educa [...]

    7. (Including some status updates material in this - ) Not even at the halfway point yet, but I am so baffled and dismayed. I love Byatt (loved Possession like everyone else, but I schooled myself to love the Frederica Potter quartet and other novels too), this book is all about topics I love, and so it totally should be my jam, as the kids say, andead it's like the dire moment in Little Women when Meg wails about how the jelly won't jell. I think the biggest problem is the characters - some critic [...]

    8. Viste le mie esperienze precedenti con l'autrice, lo inizio con grande gioia. Siamo nel 1895, agli albori di quello che diventerà il Victoria and Albert Museum, «quel luogo veramente inarrivabile di godimenti e delizie» (Arbasino, Fratelli d'Italia, capitolo Londra). [molti anni prima, anche il primo romanzo del "quartetto" di Frederica Potter, La vergine nel giardino, iniziava in un museo: la National Portrait Gallery].E quindi la decorazione; l'arte applicata alla vita, la bellezza insepara [...]

    9. In my reading of this I alternated between deep admiration of Byatt and deep irritation with her. She has put all the force of her prodigious talent into burying the threads of two or three really interesting novels of reasonable length in this over-sized book. In a way, it is like a vast tapestry of the cultural movements in England, and to some extent Germany, from 1895 to 1919 (with fascinating personal stories that can be perceived if you peer up close), but really it's more of a vast tangle [...]

    10. The Children's Book gives the reader a big and sprawling story. It centers around Humphrey and Olive Wellwood, living in a big house called Todefright (love that name), and all their kids, friends, neighbors and other people that impact their life. But most of all their kids. There's quite a lot of historical background to all of this, and the main focus is on art communities and women's rights. The book spans from around 1885 to the end of the First World War.We get to meet a great variety of c [...]

    11. Really 4.75 stars, but that’s only because it’s by the author of Possession. Without that perfect Possession, I’m sure I would feel this is a full-on 5.*It’s a novel rich with rewards for Byatt fans, including all that Byatt loves and that for which we love her. Immediately upon starting the second chapter, I was plunged into her The Virgin in the Garden. It was partly the prose, but also the characterization of the children of another brilliant, eccentric family that lives in the 'count [...]

    12. Like an Intricate, Jeweled Faberge EggByatt's Magnum OpusThis novel is A.S. Byatt's masterpiece. I think it's a much better book than her earlier and better known work, Possession.It's an ambitious work. It's also intricate, colorful, interconnected, and full of surprises, much like a Faberge egg (which, incidentally were produced during the same time frame as the book).The novel traces the childhoods and coming of age of a group of British young people before (late Victorian), during, and after [...]

    13. Reading this novel made me think I was diving. Sinking deeper and deeper into its boundless pages, I would sometimes need to resurface, expand my lungs and get fresh air. For this is a very ambitious novel (view spoiler)[overambitious? (hide spoiler)]and we could not expect any less from A.S. Byatt. I now conceive of it as a compression of about three books.There is an exhaustive account of the social and cultural settings in Western Europe at the turn of the 19C up to the conclusion of WW1. The [...]

    14. Ok, this is not for me.70 odd pages and no hint of a plot, just a lot of scene setting and Victorian historical information. I get that this is likely to be character or society study rather than a plot-driven novel, which is fair enough, but I'm not digging the writing. There is a lot of info-dumping, telling rather than showing, and circular writing:And again, a pre-teen / early teen questioning their "capability to love"?Not for me.

    15. A densely woven account of connected families growing and changing over the late Victorian period up until the end of WWI. Byatt centres her narrative on the lives of the children, following their development and emotional perspectives. The book is openly aestheticising at the expense of pure realism, aiming for the elegant, stylised naturalism of art nouveau that supplies so much of the historical detail. I deeply enjoyed the tale and the telling, particularly Philip's story, which resists high [...]

    16. In conclusion, this is how books of historical fiction should be written. History is interwoven into the story and made fascinating. There is so very much history in this book, so if that makes you leery, choose another book. As stated below you follow a few families from 1895 through the First World War; the setting is primarily Victorian and Edwardian England and then the war years with excursions to Germany and Belgium and France. I adored the trip to Paris for the 1900 Exposition! Byatt, whe [...]

    17. A great portrayal of growing up in England in that dynamic period between the end of the Victorian period to World War 1. The lives of a diverse set of children in three interlinked families are tracked as they either try to stay children or choose to advance toward participation in the arts, sexual explorations, and engaging with a variety of cultural movements. The prose and character development are very engaging. A major character and mother of several of the children is a writer of children [...]

    18. This book irritated the life out of me and if I could give it less than one star, I would. It took AGES to finish because I hated every bit of it. I only persevered with it because it was on the "1001 Books you Need to Read Before you Die" list, otherwise, it might have gone into the recycling bin. The writing style was intensely irritating and obviously written by a woman with bizarrely named individualys interracting randomly with way too much descriptive narrative. I would have loved to have [...]

    19. "The Children's Book" is a thick, meaty, treasure trove of a novel. Every turn of a page involves the reader in ideas, plot, emotions, knowledge and sparkling writing. In blurb vernacular it's brilliant, a page turner, un-put-down-able, stunning, complex and my favorite--multi-layered.The book takes place in England between 1895 and 1919. It criss-crosses Europe following the family fortunes of the Wellwoods, the Cains and the Fludds and a host of vibrant subsidiary characters. Olive Wellwood is [...]

    20. Okay, there is really no nice way of saying this: The Children’s Book? Holy shit, you could use that thing as a motherfucking doorstop, and considering how long it takes to get through it? YOU PROBABLY WILL.The premise: it’s 1880s England, and this children’s author’s son finds a homeless boy who wants to grow up to be a potter, so he gets deposited with an overly-artistic child molesting artiste in the hope that the kid will A.) Nurture his talent or whatever; and B.) Get the artiste to [...]

    21. The flower of England face down in the mudSono grata ad Antonia Byatt per gli impagabili affreschi di società inglese e cultura europea degli ultimi 100 anni. Questa è la volta dell’era del racconto gotico, dell’art nouveau e dello jugendstil, del movimento femminista, dell’affermazione delle idee socialiste negli ambienti colti londinesi, della I guerra mondiale e delle sue conseguenze (una delle quali è cantata da Sting nel 1985, sterminio della gioventù europea; poi c’è il diffic [...]

    22. Immensa, immensa, immensa Byatt!!*Il libro è stato pubblicato il giorno del mio compleanno: commozione e lacrime*Questo libro è qualcosa di unico e magistrale: non gli renderò giustizia nella recensione quindi fatevi un favore e leggetelo!! Sparo subito una cartuccia preziosa, la scrittura e la narrazione della Byatt. Innanzi tutto, le scene si susseguono e sembra quasi uno stream of consciousness: si passa da un evento all'altro, da questo a quel personaggio, con scene che sono descritte per [...]

    23. The Children's Book by A. S. Byatt is a little like opening a long-abandoned toy cupboard and finding childhood thoughts and feelings inside, tattered and worn and well-remembered, rather than the playthings one might have expected. We recognize Byatt as masterful even as she begins, for in the first chapter one feels the power of her rich imagination: a young runaway is found sketching designs from originals deep within the bowels of an art museum during turn-of-the-19th-century London. The scu [...]

    24. I was lucky enough to be in Toronto and so was able to pick this up before its U.S. release (apparently we don't deserve it until the fall).I thought it would be a second Possession, but it's not, which is good. In some ways, Byatt's style in this book seems closer to the style of her sister, Drabble, a hands off approach which makes it a little harder (or takes longer) to come to terms or grips with characters. There are even some characters we never come to grips with (interesting considering [...]

    25. Unlike her earlier novel, Possession, which I loved, I found myself in an adversarial position with the author as I read. There is just too much. Of everything. Too many characters, too much historical exposition, too much digression to indulge the author's habit of inserting story-stopping pieces of one character's writing inside the actual story. This historical fiction novel covers the years 1895 to 1919 in Europe and Germany. At first you follow the story of a young boy as he is rescued from [...]

    26. The first thing I have to tell you is that this is not an easy review to write. How does one review an 675 page book in just a few paragraphs? But then how does an author manage to fit the whole world into just 675 pages? I honestly don't know, but if A.S. Byatt can do the latter, I can definitely attempt the former, though I fear I may ramble a bit.This is usually the part of the review where I'd tell you what The Children's Book is about. the summary GoodReads gives you up at the top of the pa [...]

    27. Well, A.S. Byatt has done it yet again. She has written a novel, in The Children's Book, that rivals her earlier Booker award winner, Possession. The Children's Book made the shortlist for the 2009 Booker award, and I certainly can understand why. This is the sweeping saga of a cast of characters from several families, and follows them through the late-Victorian period, through the Edwardian, and through the horrors of the First World War.In Possession, Byatt leads her reader through the world o [...]

    28. Despite Byatt's tendency to tell the reader everything she has discovered in her background research for a novel, The Children's Book is an engaging work filled with interesting characters both involved in and discussing art, politics, class differences, education, raising children, women's rights, and sex. Above all, it is an exposition of the Zeitgeist of late Victorian England, its evolution in the Edwardian years, and its death in the trenches of the Great War. Although the novel has a compe [...]

    29. Byatt is curiously prone to report the behavior of her characters, rather than just show them. If she weren't dealing with so much: fairy tales and folklore, the Arts and Crafts movement, the rise of Fabianism and social justice movements of all kinds; if not for all that it'd be a dud. And while I'm listing faults, there is a singular lack of joy. None of these people are ever shown being happy; all of their happy moments occur offstage. Sex, for example, is traumatic, not just, adequate. It ma [...]

    30. Another astounding novel from A.S. Byatt. Complex, beautifully written, and, as always, ferociously intelligent. I love a novel that pulls you entirely into its world, and this is one of those. Byatt is a formidable intellect, and her work is not for the faint of heart; you must be willing to think, to do a certain amount of intellectual work when reading her, but it's always worth it. In the end you have not just another wonderful *story* but you've learned so much. One of the most fascinating [...]

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